Monday, August 8, 2011

RootsTime Reviews "Lit Up!"

In their new album, Victor Wainwright and the WildRoots mix an almost perfect amount of latent humor, vitality, untamed fun with some hints of sadness in between with songs like the sublime 'Our Last-Goodbye'. After their acclaimed debut, "Beale Street To The Bayou", you could already predict that we wouldn't have to wait too long for more because, music is obviously in their blood.

They've added a new drummer, Billy Dean, but the rest of the band remain an unchanged enthusiastic bunch with Greg Gumpel on resonator and electric guitar, and bassist/acoustic guitarist/percussionist Stephen Dees in the starring role of co-writer and producer. Patricia Ann Dees and Ray Guiser on tenor saxophones, were also incorporated into the WildRoots. Additional guest musicians add to their engaging "power-house Blues sound.

Victor's piano is the key, to what makes 'Lit Up' so special. Underneath those rolling piano keys we also hear a generous portion of New Orleans in the mix with the Blues and Memphis soul. The lyrics encompass breakup, agricultural, urban and philosophical themes. Cheerfulness is mixed with melancholy. From the swinging 'Little Ole' Shack's sinful pleasure, to the delightful and enchanting, "Weeds," with Ray Guiser's and Charlie DeChant's clarinet and saxcello, you think of depicting a harvest scene from Jean-Francois Millet.

You can hear influences of Hound Dog Taylor, Professor Longhair, Albert Ammons, Pinetop Perkins and - why not - Leon Redbone, and Randy Newman, in the last track the intimate "Let It Be The Same". In terms of a favorite, it is difficult to choose between 'Subliminal Criminal' and the irresistible 'Lit Up'. Or even the repentant "Pile Of Blues". In "Our Last Goodbye," he sings in a yearning aching voice in which the pain is still glowing with the guitar and seems to cry. Yet the pride of top place goes to "Dixie Highway" and not just because of the Resonator Guitar. It's like Wainwright's, soulful and authentic singing voice, just lingers in that kind of retro Delta/Mississippi blues history.

Boogie-woogie and soul alternate with each other and the dynamics are equal to anything recorded at Sun Records [Memphis], or St Cosimo Recording Studios [New Orleans]. This "Lit Up!" Album at the same time gives back atmosphere typical of the better barrelhouse establishments, where Big Mamacita's running the business, and the music guides are marked with four stars.



1 comment: